Showing posts with label music video. Show all posts
Showing posts with label music video. Show all posts

Friday, 14 October 2011

Foo Fighters 'Learn to Fly' Music Video Analysis:



This particular video is by the ‘Foo Fighters’ and was directed by Jesse Peretz. In order to analyse this video, I will be making references to Andrew Goodwin’s six point music analysis from his book, 'Dancing in the distraction factory'. The plot of the video follows two airline mechanics played by Jack Black and Kyle Gass who hide ‘world domination’ sleeping powder in the coffee machine in which in capitates everyone who drinks coffee.  The video is very comical and the band plays various different characters in order to make the video funny and give it a different twist. The costumes worn and the mise-en-scene is very important within the video as they both express the different characters to the audience. The video is primarily narrative based but also includes performances by the ‘Foo Fighters’ on the television on the plane and stage performances are also shown throughout.

One of Goodwin’s theories focuses on the relationship between the visuals and the lyrics of the video; within ‘Learn to fly’ there are numerous links between the two. The lyrics focus on the subject of flying, ‘learn to fly high’ and ‘looking to the sky to save me’ which relates to the fact that the video is set on a plane and also because many of the characters within the video take the supposedly ‘sleeping powder’ in which has various weird affects. This therefore proving that the visuals definitely do illustrate the lyrics of the song. This particular video, however, contradicts Goodwin’s third theory of links between the music and the visuals. ‘Learn to fly’ does not follow this as the video closely focuses on the plot and narrative instead of illustrating the beats and pitches of the music within the video via editing and changes of the pace for example. The edits within this video are in contrast with the music as they are unusually slow paced and the music is very fast paced. Within this video it is also very clear that the ‘Foo Fighters’ are featuring the genre characteristics of heavy rock within both their video and their song. The characteristics of heavy rock usually include: an electric guitar as the leading instrument, a band consisting of 2-5 members, a rebellious theme and performances featured within the video. To add to this, rock bands are usually inspired by previous, older rock bands, in the ‘Foo Fighters’ case it is ‘Led Zepplin'.
Within Goodwin’s theories, he also mentions how many videos include intertextual references to other media sources, such as other music videos, films etc. This video by the ‘Foo Fighters’ was inspired by the film ‘Airplane’ and the video itself is meant to be a parody of this film. Features of this film that are included within the video are obviously, the setting, the characters and the aspects of the plot. To add to this, stereotypical airhostesses are also featured within this video, they are made to look very attractive, flirtatious and are wearing tight uniforms,  this relates to Laura Mulvey’s theory of the ‘male gaze’  as the male passengers on the plane stare at the female airhostess in a very dominant way trying to get their attention. Laura Mulvey’s theory also relates to Goodwin’s theory of the notion of looking and how women are most definitely presented as sex objects for male pleasure within the majority of music videos.


Goodwin’s penultimate theory is on ‘Voyeurism’, this focuses on the use of screens and other objects to focus primarily on the band and the main artist, in this case Dave Grohl. This theory is shown within this video when performances from the band are shown on the plane’s televisions. As well as this, the majority of the music video includes close ups of the band and in particular David Grohl. These close ups are included within the video as they are demanded by the record label as it is a priority to focus on the band.







Friday, 16 September 2011

The Clash - London Calling




London calling to the faraway towns
Now war is declared, and battle come down
London calling to the underworld
Come out of the cupboard, you boys and girls
London calling, now don't look to us
Phoney Beatlemania has bitten the dust
London calling, see we ain't got no swing
'Cept for the ring of that truncheon thing
[Chorus 1:]
The ice age is coming, the sun's zooming in
Meltdown expected, the wheat is growing thin
Engines stop running, but I have no fear
'Cause London is drowning, and I live by the river
London calling to the imitation zone
Forget it, brother, you can go it alone
London calling to the zombies of death
Quit holding out, and draw another breath
London calling, and I don't wanna shout
But while we were talking, I saw you nodding out
London calling, see we ain't got no high
Except for that one with the yellowy eyes
[Chorus 2: x2]
The ice age is coming, the sun's zooming in
Engines stop running, the wheat is growing thin
A nuclear error, but I have no fear
'Cause London is drowning, and I live by the river
Now get this
London calling, yes, I was there, too
An' you know what they said? Well, some of it was true!
London calling at the top of the dial
After all this, won't you give me a smile?
London calling
I never felt so much alike [fading] alike alike alike

Ke$ha - TiK ToK



Wake up in the morning feeling like P Diddy
(Hey, what up girl?)
Grab my glasses, I'm out the door, I'm gonna hit this city
(Lets go)
Before I leave, brush my teeth with a bottle of Jack
'Cause when I leave for the night, I ain't coming back
I'm talking pedicure on our toes, toes
Trying on all our clothes, clothes
Boys blowing up our phones, phones
Drop-topping, playing our favorite CDs
Pulling up to the parties
Trying to get a little bit tipsy
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock on the clock
But the party don't stop, no
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock, on the clock
But the party don't stop, no
Ain't got a care in world, but got plenty of beer
Ain't got no money in my pocket, but I'm already here
And now, the dudes are lining up cause they hear we got swagger
But we kick em to the curb unless they look like Mick Jagger
I'm talking about everybody getting crunk, crunk
Boys tryin' to touch my junk, junk
Gonna smack him if he getting too drunk, drunk
Now, now, we go until they kick us out, out
Or the police shut us down, down
Police shut us down, down
Po-po shut us
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock on the clock
But the party don't stop, no
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock on the clock
But the party don't stop, no
DJ, you build me up
You break me down
My heart, it pounds
Yeah, you got me
With my hands up
You got me now
You got that sound
Yeah, you got me
DJ, you build me up
You break me down
My heart, it pounds
Yeah, you got me
With my hands up
Put your hands up
Put your hands up
Now, the party don't start 'til I walk in
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock on the clock
But the party don't stop, no
Don't stop, make it pop
DJ, blow my speakers up
Tonight, I'mma fight
'Til we see the sunlight
Tick tock on the clock
But the party don't stop, no

Wheatus - Teenage Dirtbag




Her name is Noelle
I have a dream about her
she rings my bell
I got gym class in half an hour
Oh how she rocks
In Keds and tube socks
But she doesn't know who I am
And she doesn't give a damn about me
Cause I'm just a teenage dirtbag baby
Yeah I'm just a teenage dirtbag baby
Listen to Iron Maiden baby... with me
Ooohoooooo
Her boyfriend's a dick
he brings a gun to school
And he'd simply kick
My ass if he knew the truth
He lives on my block
and He drives an IROC
But he doesn't know who I am
And he doesn't give a damn about me...
Cause i'm just a teenage dirtbag baby
Yeah i'm just a teenage dirtbag baby
listen to Iron Maiden baby with me
Ooohoooooo
Oh yeah, dirtbag
No, she doesn't know what she's missing.
Oh yeah, dirtbag
No, she doesn't know what she's missing.
Man I feel like mold
It's prom night and I am lonely.
Lo and behold
she's walking over to me.
This must be fake
My lip starts to shake
How does she know who I am?
And why does she give a damn about me?
(and she said)
I've got two tickets to Iron Maiden baby
Come with me Friday - don't say maybe.
I'm just a teenage dirtbag baby
like you
Ooohoo Hoo Hooooooo
Oh yeah, dirtbag
No, she doesn't know what she's missing.
Oh yeah, dirtbag

No, she doesn't know what she's missing...YYYYEEEEEEEEEHHHHHH


We all really liked the idea of doing this song as it has a very interesting story attached to it. However, after properly listening to the lyrics and watching the video several times, we realised as a group that in fact it would be very difficult to produce an original video. The lyrics and visuals of this video identically match, and therefore we would have to create a video which would be irrelevant to the lyrics in order to prevent re-inventing this video, which we do not want to do.

Wednesday, 7 September 2011

The Jam - Town Called Malice




We have looked at this video and song as a potential one that we could make into our own. However, we have also realised that as the song is from 1982, it would be quite difficult to re-adapt the story to 2011. The song is about Paul Weller's teenage experiences in his hometown of Woking and as times have changed dramatically since the song was first released, it would be quite difficult to successfully re-do the video to this song.

Two Door Cinema Club - Something Good Can Work